Richard Dennis Art Collections
Shop for artwork from Richard Dennis based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by Richard Dennis
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
A Taste of Summer by Richard Dennis
Open are the Lines of Thought by Richard Dennis
In Silence they stood by Richard Dennis
The Healer by Richard Dennis
In the breath of night by Richard Dennis
The Waiting by Richard Dennis
The Tomb_Lake Powell II by Richard Dennis
Cerro Gordo Too by Richard Dennis
Canyonlands by Richard Dennis
The World there in Motion II by Richard Dennis
The Hour that Follows by Richard Dennis
The Odds of Chance by Richard Dennis
The Grace of Forgiveness by Richard Dennis
The Tomb Lake Powell by Richard Dennis
There in the Garden by Richard Dennis
This Turning of Heaven before us by Richard Dennis
Escalante by Richard Dennis
The Beginning by Richard Dennis
Only in Dreams by Richard Dennis
Cactus Flower by Richard Dennis
If you only knew by Richard Dennis
St Weenie day by Richard Dennis
Who but the hand of God by Richard Dennis
Architecture v by Richard Dennis
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About Richard Dennis
Richard Dennis
Artist Statement
The essence of art lies in the eyes of the artist. Unrestrained and complex, it is the boundless process of how the mind chooses what is placed before the eye. This all relative to individual, all subject to impulse, and all manipulated by thought. The bee becomes the flower, the stone an ocean, or the sky an impenetrable kaleidoscope of shifting reflections. These are the rites of incision; they are the cutting away of the outer layers of prescribed conformity.
When I paint, I paint with my heart. What I see before me and what I feel are integrally intertwined, yet, can only be measured by their immense disparity. It is with this in mind that I find it is not always easy for me to describe what I paint. Mostly, if I had to pick one aspect, it would be motion, or better, it would be the emotion of movement and change. I find I often get lost in this world of upheaval and what I see is limited only by my own veiled range of perception. The pigment and the brush are but the tools I choose in this cast expression, yet they only tie a small portion of the pieces together. I am cognizant of these imperfections but am also released by their assertions. Slowly what is before me unfolds, the eye and the hand communicate, the brush and the canvas unite, and the rest is up to those that observe and construe.